That PitchReviews of thatpitch.com

Real quick, I want to give a little backstory so you know why I am praising ThatPitch as much as I'm about to. I have produced in the industry for the last six years. I've worked with Gold Record writers, managed teams of producers for catalogue scale, and already have music in several film sync libraries. I also have 100s of thousands of monthly listeners. I am not naive to how any of this works. Sync is a mess. Youtube Gurus tell you to cyber stalk film supervisors and chat them up on LinkedIn (Don't do this, you will be blacklisted) or you use services like Taxi, DropTrack, or Disco. The issue here is sync is a shifting and flowing machine. You'll see a brief for dark moody country, pay to submit to it, get denied, then find out some 2000s bubble gum pop was chosen. Why? Well when they did their lil edits that is what they landed on. Thanks I guess. Additionally platforms like that are filled with A&Rs making more than you ever will, outsourcing their discovery to middle men who pay them even more. Talk about criminal. So gross to me. ThatPitch is just Distrokid for Sync. No pitching, no mess. You upload your song, fill out metadata, credit everyone, and off to "stores" it goes aka Libraries. You pay a monthly fee and keep 100% of whatever you make, unlike places that take 30-50% after you paid to submit to them... The only "issue" I have with it is unlike Distrokid, once my music is on Spotify, I have control. I can market it, playlist it, run ads to it etc. With ThatPitch I am a the mercy of others entirely. But...since it's unlimited, I have started making catalogue just for ThatPitch, that I don't even upload to DSPs. Someone on here compared it to a lottery ticket, and, sure, kinda feels like luck is what does it. But, you can upload as many "ticket" rips as you wish. All in ThatPitch has solved public facing sync distribution. Not lazy guru advice that ruins your potential, not pay to play for every shot you take. A boring distribution service that gets files where they need to be. Sorry, but, if you are hating on this service, you clearly have no idea how sync works and have zero motion to begin with. If you, like me, sit in that weird middle ground where you are not naive, but are still independent, this is the way.

I have used That Pitch for about a year now and they’ve been wonderful. Ive found some cool opportunities as a result of the platform and the deal is transparent and easy to understand. I feel like I am in good hands. Thanks!

The sync world honestly felt so confusing and hard to navigate on my own. There’s so much to figure out with pitching, libraries, and placements and I felt like I was spending more time trying to understand the process than actually making music. Working with Mark has made everything way more straightforward for me. Having a clear system and real opportunities made the whole process of breaking into sync feel a lot more accessible, and it helped me focus more on creating instead of stressing over how to break in. Super grateful to the crew at That Pitch.

That Pitch is great! The absolute best way to get your independent music placed! Well worth the price!

I’ll be honest, that pitch took some time to pay off. But a few years later, some of the songs I got licensed through it ended up on CNN, and over time, those placements brought me about $3,000. This was about like 5 years after the initial sync, so not instant gratification. Still, the long term royalties and exposure made it worthwhile. If you’re thinking long-term, i would definitely recommend! Just gotta be patient