Tamika
Disgusting Company
I honestly wouldn’t recommend Sugo Music Group. They advertise free distribution and publishing, but when you actually need them to do something, they don’t follow through. I asked them to take down my song, and they said they only do that at the end of the term. My song hasn’t even made any revenue yet, and I’ve done all the work—so why the hell are they acting like they own it? Feels like a scam, honestly. Also, they push you to upgrade to an exclusive license just to get distribution, but they don’t promote you at all. I’ve seen other artists get promoted on Facebook, but not once did Sugo help me get any exposure. It’s pretty frustrating when you’re doing all the work, and they don’t deliver on their end. To make it worse, they take 70/30 on royalties and 50/50 on publishing and UGC, while platforms like DistroKid and UnitedMasters give you 100% royalties. That’s a huge difference when you’re out here hustling to get your music out there. And the cherry on top? The CEO doesn’t even use his own platform—he’s using The Orchard instead. That should tell you everything you need to know about how much they actually care about their artists. There are much better platforms out there like DistroKid or UnitedMasters. They actually care about their artists, give you all your royalties, and deliver on their promises. Don’t waste your time with Sugo Music Group—you’re better off elsewhere.
Response from Sugo Music GroupSep 24, 2026
Thank you for sharing your feedback. We appreciate the opportunity to clarify several points about Sugo Music Group’s current distribution, UGC, and music publishing terms. Music Distribution and UGC: Rights holders retain 100% ownership of their master recordings. Under Sugo’s current standard Music Distribution Agreement, rights holders receive 80% of the revenue received by Sugo from the distribution, licensing, and monetization of their recordings, including applicable UGC and social-media uses administered under the agreement. Sugo retains 20%. There are no upfront setup fees, annual subscription fees, or submission fees. Music Publishing: Publishing royalties and distribution royalties are separate and should not be confused. Under Sugo’s current Music Publishing Agreement, songwriters retain ownership of their musical compositions and receive 100% of their Writer’s Share. Sugo administers the publishing rights covered by the agreement and receives the Publisher’s Share. The Writer’s Share and Publisher’s Share are separate components of publishing income, so describing this simply as Sugo “taking 50%” does not accurately explain how the agreement is structured. Promotion and Distribution: Music distribution and music promotion are also separate services. Distribution makes recordings available through digital music services and other authorized platforms, while artist marketing, promotion, and audience development are separate activities. Sugo Music Group publishes its current Distribution and Publishing Agreements on our website so artists, songwriters, labels, and rights holders can review the applicable ownership, revenue-share, publishing, licensing, and other terms before entering into an agreement. We appreciate your feedback and remain committed to transparent agreements, accurate royalty reporting, and professional service for our rights holders.




